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2 hit on the Billboard charts with Ann Ronell's "Willow Weep for Me". October 29, 1951 – April 28, 1953, ABC. "Say It With Music", 1921, #1 for 5 weeks, "Grieving For You – Feather Your Nest", #26 hit of 1921, "Play that 'Song of India' Again", 1921, #1 for 5 weeks, music adapted by Paul Whiteman from the Chanson Indoue theme by, "Birth of the Blues", 1926, #1 for 4 weeks, "Three Shades of Blue: Indigo/Alice Blue/Heliotrope", 1927, composed and arranged by, "Rhapsody in Blue", 1927, electrical version, Grammy Hall of Fame inductee, "Metropolis: A Blue Fantasy", 1928, composed by, "Ol' Man River", 1928, second, slow version, with, "Fare-Thee-Well to Harlem", 1934, with vocals by, "My Fantasy", 1939, Paul Whiteman co-wrote the song, an adaptation by Paul Whiteman of the Polovtsian Dances theme from the opera, This page was last edited on 20 January 2021, at 17:21. BVE-36091-4) recorded New York, NY, September 2, 1926. B side (mx. By 1922, Whiteman already controlled some 28 ensembles on the East Coast and was earning over $1,000,000 a year.[17]. [2] Another familiar piece in Whiteman's repertoire was Grand Canyon Suite by Ferde Grofé. [50], In 2006 the Paul Whiteman Orchestra's 1928 recording of Ol' Man River with Paul Robeson on vocals was inducted into the Grammy Hall of Fame. Trumpeter Henry Busse (featured on "Hot Lips" and "When Day Is Done") was Whiteman's main star during the 1921-1926 period. 1926 • Paul Whiteman and His Orchestra +1. Lyrics to 1977 "Flamin' Mamie" by Willie Dixon and Penny Page. Whiteman also appeared as the baby in Nertz (1929), the bandleader in Thanks a Million (1935),[2] as himself in Strike Up the Band (1940),[2] in the Paramount Pictures short The Lambertville Story (1949), and the revue musical King of Jazz (1930). Publication date 1926 Topics 78 rpm. On May 31, 1924, the song "String Beans" was copyrighted, with words and music by Vincent Rose, Harry Owens, and Paul Whiteman.[46]. [citation needed]. 1. The first major play of the Harlem Renaissance, "Shuffle Along," debuts on Broadway. In 1927, Paul Whiteman co-wrote the song "Wide Open Spaces" with Byron Gay and Richard A. After a start as a classical violinist and violist, Whiteman then led a jazz-influenced dance band which became locally popular in San Francisco, California in 1918. The King's Jesters were with Paul Whiteman in 1931. auspices in the past, the Dodge Brothers' Victory Hour at a reputed cost of $67,000 was disappointing and not commensurate in impression with the financial outlay." Crawford played the instrumental on a Wurlitzer organ. Grammy.org", "Complete National Recording Registry Listing | Recording Registry | National Recording Preservation Board | Programs at the Library of Congress | Library of Congress", "National Recording Registry Announces 2020 Entries, From Dr. Dre To Mister Rogers", "Paul Whiteman | Colorado Music Hall of Fame", "20th Century Pioneers Exhibit | Colorado Music Hall of Fame", Library of Congress: "Rhapsody in Blue" by Paul Whiteman and His Concert Orchestra with George Gershwin on piano, 1924, https://en.wikipedia.org/w/index.php?title=Paul_Whiteman&oldid=1001649538, Articles with unsourced statements from November 2020, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. The Whiteman Band's first electrical recording--and, no, the composer is not *that* Jose Padilla. Mr. Whiteman's orchestra is seldom heard on the radio, and its infrequent broadcasts are the subject of major jubilations, despite the presence of tenors and vocal harmonists in most of the Whiteman renditions. 30m. Music of current American composers. February 4–October 20, 1954. The list on this page is for all #1 hit Pop singles for 1920 using proprietary methods. [12][13], Whiteman's skill at the viola resulted in a place in the Denver Symphony Orchestra by 1907, joining the San Francisco Symphony Orchestra in 1914. Defenders note that Whiteman's fondness for jazz was genuine. Thursdays at 9 until July, then Wednesdays at 9:30. [47] The Colonial Club Orchestra released a recording of the song on Brunswick Records in 1927 as 3549-A with Irving Kaufman on vocals. His bands included many of the era's most esteemed white musicians, and his groups handled jazz admirably as part of a larger repertoire. [2] Eddie Condon criticized him for trying to "make a lady" out of jazz. [18] Whiteman liked young Wilder enough, that he took him with the band to Berlin where Wilder was able to make more connections in the entertainment field, leading him to become a screenwriter and director, eventually ending up in Hollywood. 30m. Whiteman wrote more than 3000 arrangements.[21]. Paul Whiteman And His Orchestra ‎– Trudy / When The Red, Red, Robin Comes Bob, Bob, Bobbin' Along ... BVE-36094-4) recorded New York, NY, September 3, 1926. Bratton. Starting with his early days as a song composer, Gershwin had ambitions to compose serious music. Mariah Carey 16. Jan Garber and His Orchestra, and Ira Sullivan with Tony Castellano also recorded the song. The Beatles 14. Congress approves the money to finish building the tomb in 1926, ... Paul Whiteman, and Al Jolson. "[28], In 1929, Whiteman agreed to take part in a weekly radio show for Old Gold Cigarettes for which he was paid $5,000 per broadcast. (England) Vocalion CDEA 6129, recorded 1925-38. He was awarded two Stars on the Hollywood Walk of Fame for Recording at 6157 Hollywood Boulevard and for Radio at 1601 Vine Street in Hollywood. 30m, Fridays at 10, then Mondays at 9:30. Dinah - Ethel Waters #23 in 1926. Copyright renewal by Paul Whiteman, I.M. The collection of 22,359 ten and twelve inch seventy-eights is one of the first that ARC worked with from beginning to end, and what a pleasure. Mary Lou - Abe Lyman & his California Orchestra #47 in 1926. The Paul Whiteman Orchestra recorded "My Fantasy" with Joan Edwards on vocals in 1939 and released it as a 78 single on Decca Records. [54], He had two songs listed in the National Recording Registry, the first one was a cover of Rhapsody In Blue, covered by Paul, which was listed in 2003. While waiting to join Whiteman's Orchestra they made their first record "I've Got the Girl" with Don Clark's Orchestra (a former member of Whiteman's Orchestra) at The Biltmore Hotel in Los Angeles (506 South Grand Ave.). Bibo, and Edna L. Johnson, "Victor Discography: Paul Whiteman (composer)", "Catalog of Copyright Entries 1954 Renewal Registrations-Music Jan-Dec 3D Ser Vol 8 Pt 5C", Discography of American Historical Recordings, "The Online Discographical Project: Victor 35500 – 36000 numerical listing", "Grammy Hall of Fame. Asked by Paul Whiteman to write an original work for a concert of modern music to be presented at Aeolian Hall in New York on February 12, 1924, George, who was hard at work on a musical comedy, SWEET LITTLE DEVIL, barely completed his composition in time. January 21 – September 23, 1946, ABC. [15], That year he led a popular dance band in the city. The results in this chart are not affiliated with any mainstream or commercial chart and may not reflect charts seen elsewhere. Sunny - George Olsen #30 in 1926. "Wonderful One" appeared in the following movies: The Chump Champ (1950), Little 'Tinker (1948), Red Hot Riding Hood (1943), Sufferin' Cats (1943), Design for Scandal (1941), Strike Up the Band (1940), and Westward Passage (1932). Related Chart Trivia Paul Whiteman Top Songs in the Charts Top One Hit Wonders of the 1920s Top Brazil One Hit Wonders. 10 - In a Little Spanish Town / There's a Boatman on the Volga. "Paul Whiteman Dead at 77 of Heart Attack". List of #1 Pop Singles for 1926. [12] Whiteman emphasized the way he had approached the already well-established style of music, while also organizing its composition and style in his own fashion. "(My) Wonderful One" was recorded by Gertrude Moody, Edward Miller, Martha Pryor, Mel Torme, Doris Day, Woody Herman, Helen Moretti, John McCormack; it was released as Victor 961. Oh my! [33] Whiteman's TV-Teen Club, along with Grady and Hurst's 950 Club, proved to be an inspiration for WFIL-TV's afternoon dance show called American Bandstand. 8/21/1922: You remind me of my mother: Paul Whiteman Orchestra: Jazz/dance band: leader : Victor: B-26732: 10-in. From November 3, 1920, he started using "Paul Whiteman and His Orchestra. 1904) 1970 – … Tim Brooks, Earle Marsh. : If I had a talking picture of you, 24 renowned Whiteman recordings. Grammy.org", "Grammy Hall of Fame. 60m, Sundays at 8. Popular Posts What … [2] He encouraged upcoming African American musical talents and planned to hire black musicians, but his management persuaded him that doing so would destroy his career due to racial tension and America's segregation of that time. External links. [2] The popularity of these records led to national fame. 9/24/1923: Wonderful one: John McCormack: Tenor vocal solo, with celeste and orchestra : Victor: B-29532: 10-in. Linger Awhile - Paul Whiteman #36 in 1926. Barcode and Other Identifiers Matrix / Runout (Side A Runout): Y 20139A 8; Matrix / Runout (Side B Runout): C1 20139B 2 ; Other Versions (1 of 1) View All. 5/18/1921: Oh me! [4], Whiteman lived at Walking Horse Farm near the village of Rosemont in Delaware Township, Hunterdon County, New Jersey from 1938 to 1959. Artie Shaw also recorded the song and released it as a single on Victor Records in March 1940 with Pauline Byrns on vocals. Paul Whiteman Orch Trudy by Paul Whiteman Orch. Previous. In 1924 he commissioned George Gershwin's Rhapsody in Blue, which was premiered by his orchestra with the composer at the piano. 8/26/1926: Wonderful one: Paul Whiteman Orchestra: Jazz/dance band : Victor: B-28600: 10-in. Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, ... 8/25/1926: Cho-Cho-San: Paul Whiteman Orchestra: Jazz/dance band: director : Victor: B-25308: 10-in. Guy Lombardo and His Royal Canadians 5. December 31, 1937 – December 20, 1939, CBS. In 1920, he co-wrote the music to the song "Bonnie Lassie" with Joseph H. Santly with lyrics by John W. The singles were tracked by international sales, radio airplay, social media mentions, website votes, jukebox plays and digital downloads. In 1918, Whiteman conducted a 12-piece U.S. Navy band, the Mare Island Naval Training Camp Symphony Orchestra (NTCSO). Sundays at 6. 5/18/1921: Oh me! As a relative you may be entitled to an inheritance; could you be the heir to an unclaimed estate? 60m. Major World Political Leaders / Elections . The Fletcher Henderson recording lists the songwriters as "Fats Waller/Jo Trent/Paul Whiteman". Lyrics to 1925 "Flamin' Mamie" by Paul Whiteman and Fred Rose. [25] Variety was not impressed, saying: "As with practically all of the important and high-priced commercial broadcasting programs under N.B.C. Whiteman recorded many jazz and pop standards during his career, including "Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", "Hot Lips (He's Got Hot Lips When He Plays Jazz)", "Mississippi Suite", "Grand Canyon Suite", and "Trav'lin' Light". In the 1920s the media referred to Whiteman as "The King of Jazz". [19] Whiteman signed with Columbia Records in May 1928, leaving the label in September 1930 when he refused a pay cut. [56], On April 16, 2016, Paul Whiteman was inducted into the Colorado Music Hall of Fame. [3], As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Paul Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". Whiteman had 28 No. Photo of Paul WHITEMAN. Billy Murray 6. [2], Although giving priority to stage appearances during his peak years in the 1920s, Whiteman participated in some early prestigious radio programs. United Artists Pictures arranged for additional loudspeakers to be installed in their theatres so that audiences could hear the stars they had only seen in silent pictures previously. Even today, a favorite showcase piece for tenors--here Franklyn Baur joins Paul's band. 1890) 1968 – Austin Farrer , English theologian and philosopher (b. Various times. In late 1926, Whiteman signed the Rhythm Boys to sing for his band; Bing Crosby’s prominence in the trio helped launch his career. In 1926, Paul Whiteman was on tour in Vienna, Austria when he met and was interviewed by a young ambitious newspaper reporter by the name of Billy Wilder who was also a fan of Whiteman's band. He co-wrote the 1925 jazz classic "Flamin' Mamie". On the sheet music published in 1922 by Leo Feist it is described as a "Waltz Song" and "Paul Whiteman's Sensational Waltz Hit" and is dedicated "To Julie". 3. [41], He co-wrote the music for the song "Madeline, Be Mine" in 1924 with Abel Baer with lyrics by Cliff Friend.[42]. 30m, Sundays at 8. 106. Lyricist Jo Trent is the co-author. Herb Alpert and Al Hirt were influenced by the Paul Whiteman Orchestra, particularly the solo work of trumpeter Henry Busse, especially his solo on "Rhapsody in Blue". His popularity faded in the swing music era of the mid-1930s, and by the 1940s he was semi-retired from music. 3.83. Petropolitana - Aracy Côrtes #15 in 1926 #30 in 1926 George Olsen - Sunny #32 in 1926 George Olsen - Who? The Peerless Quartet 17. Seeking to "make a lady out of jazz," Whiteman's symphonic jazz did not always swing, but at Aeolian Hall in 1924 he introduced "Rhapsody in Blue" (with its composer George Gershwin on piano) in what was called "An Experiment in Modern Music." Detractors suggest that his ornately orchestrated music was jazz in name only, lacking the genre's improvisational and emotional depth, and co-opted the innovations of black musicians. Paul Whiteman and the Radio. Will Rogers acted as MC and joined the program from the West Coast, with Al Jolson coming in from New Orleans. Australia - - Prime Minister - - Billy Hughes The Birth of the Blues - Paul Whiteman #5 in 1926. Some examples of popular dance bands were Paul Whiteman and his Orchestra, the Fletcher Henderson Orchestra, Ben Bernie and his Orchestra, and the Nat Shilkret Orchestra. Sundays variously at 9, 9:15, and 9:45. June 27 – November 7, 1950, ABC. 78rpm shellac discs donated from Daniel McNeil to the Archive of Contemporary Music and digitized by George Blood, LP for the Internet Archive. [57][58], Paul Whiteman was posthumously inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old and that have "qualitative or historical significance. "I've Waited So Long" was composed with Irving Bibo and Howard Johnson and copyrighted in 1920. [27] Charlie Chaplin, Douglas Fairbanks, John Barrymore, and several other Hollywood stars were featured. Madonna 10. 1 records during the Roaring ’20s, and his version of “Ol’ Man River” with Paul Robeson on vocals would be inducted into the Grammy Hall of Fame in 2006. Paul Whiteman And His Orchestra ‎– Precious / Moonlight On The Ganges Label: Victor ‎– 20139 Format: Shellac, 10", 78 RPM, ... 1926 in New York, NY. The Deutschlandsender was the first radio in Germany to start operating in 1923 in Berlin’s Voxhaus on Potsdamerstrasse. 5/18/1921: Cho-Cho-San: Paul Whiteman Orchestra: Jazz/dance band: Musical group : Victor: BVE-25307: 10-in. His manner on stage was disarming; he signed off each program with something casual like, "Well, that just about slaps the cap on the old milk bottle for tonight." 10. Black Bottom Stomp - Jelly Roll Morton #19 in 1926 . Previous. - 765387612924 CRITIC REVIEW: "Paul Whiteman played viola in the Denver Symphony Orchestra from 1907 and in the … The Bona Vacantia unclaimed estates list advertises the estates of deceased persons for kin to identify their own entitlement. Whiteman hired many of the best jazz musicians for his band, including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Steve Brown, Mike Pingitore, Gussie Mueller, Wilbur Hall (billed by Whiteman as "Willie Hall"), Jack Teagarden, and Bunny Berigan. 30m, Tuesdays at 8, then Fridays at 10. [23], In 1942, Whiteman began recording for Capitol Records, co-founded by songwriters Buddy DeSylva and Johnny Mercer and music store owner Glenn Wallichs. 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